摘要
歌剧《司马迁》继承延安革命文艺传统,以题材的英雄性和史鉴意义,将中国的先进文化、民族风格、地域特色,创造性地融于歌剧这一外来形式,进一步彰显了中国歌剧在跨入新世纪后与世界进行对话的积极姿态。同时,通过《司马迁》这一个例,也反映出当前歌剧创作在我国局部地区所形成的文化现象,以及由此现象所引出的对于歌剧现状的深层思考。
Opera Si Ma Qian carries on the literary and artistic tradition of
Yan' an, creatively combines the advanced Chinese culture
with ethnic style, regional characteristics in opera, the bor-
rowed art form from the West. With historical significances
and heroic contents, the opera made a further and active ges-
ture of communication of Chinese opera art with the world in
the new century. Furthermaore, the opera Si Ma Qian also
reflects the regional culture phenomenon which has been
gradually forming in the field of opera composition in China,
as well as the penetrating analysis which caused by the above
mentioned phenomenon.
