摘要
近20年,由于20世纪现代音乐技法的引进,作曲家的介入和乐器演奏技法的飞速发展,促成了民族器乐创作由单一模式向多元格局的转型。具体表现为:1.新型民族室内乐的诞生;2.吸收现代作曲技法的作品成为民族管弦乐的重要组成部分;3.对民族管弦乐队声部音响重构及其品种化的尝试;4.独奏作品被提升到一个新的境界;5.中西合壁的做法日益广泛;6.民族乐器与电子音乐相结合;7.民族乐器与MIDI等相结合的新时代;8.民乐POP;9.民族器乐与姊妹艺术相结合;10.民族管弦乐队建制的个性化和跨国化。
In the Last 20 years,the fetching in of contemporary composition techniques and develoPment of musical instrument playing techniques and also the active participation of composers, caused the transformation of C hinese traditional musical instruments composi-tion from a mono-pattern into amulti-pattern.It can be traced as follows:1.the mergence of a new style of national chamber music;2.music pieces with mod-ern comoosition techniques make up the main part of national orchestrla music;3.the experiments on re-arranging the voece parts of the national orchestra and arremprs on its fixation;4.the promotion of solo music pieces;5.the wide acceptance of the combina-tion of Chinese and ewstern music styles;6.the com-bination of traditional Chinese musical instruments with electronic music;7.the new age of the combina-tion of traditional musical instruments with MINI;8.national music and POP;9.the combination of tradi-tional musical instruments with relative artisticforms;10.the individuation of traditional orchestra or-ganizational systems and its internationalizltion.
