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情节序列的语义功能 被引量:1

The Semantic Function of Structural Sequence
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摘要 时间和因果是情节的主要因素 ,两者通常紧密相连。在虚构作品中 ,有一个按时间顺序发展的自然故事 ,还有一个讲出来的文本故事。本文通过对多部作品中序列编排实例的考察 ,旨在说明那些看似任意的序列连接不仅能构造出既定的逻辑关系 ,而且能产生深刻的话语含义 。 In plot structure 'time' and 'cause/effect relationship' are two major elements that are closely related. In every fiction, there is the distinction between story and plot. The former is the original incident that takes place in the natural time sequence; the latter is the story that is actually told. Very often the author expresses his intention by means of sequence arrangement rather than by an explicit discourse. For example, the artificial ordering of the events can suggest logical significance, which the reader comes to see through inference.
作者 邵锦娣
出处 《外国文学研究》 北大核心 2002年第2期154-158,共5页 Foreign Literature Studies
关键词 故事 情节 虚构作品 文本 因果 自然 读者参与 理解 时间 逻辑关系 sequence arrangement, cohesion, significance
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  • 1何兆武.对历史学的若干反思[J].史学理论研究,1996(2):36-43. 被引量:144
  • 2埃娃·多曼斯卡.邂逅:后现代主义之后的历史哲学[M].彭刚,译.北京:北京大学出版社,2007:280.
  • 3布宁 N,于纪元.西方哲学英汉对照词典[M].北京:人民出版社,2001.
  • 4浦安迪.中国叙事学[M].北京:北京大学出版社,1996..
  • 5雷蒙·阿隆 冯学俊 吴泓缈译.论治史:法兰西学院课程[M].北京:三联书店,2003..
  • 6施太格缪勒.当代哲学主流(下卷)[M].北京:商务印书馆,1992.241-243,202-203.
  • 7克伯莱.美国公共教育[M].陈露茜译.合肥:安徽教育出版社,2012:8.
  • 8Willian Labov. Language in the inner city [M]. Philadelphia: University of Pennsylvania Press, 1973: 360.
  • 9海登·怀特.元史学[M].陈新译.南京:译林出版社,2013:11,13,539.
  • 10翟恒兴.走向历史诗学[M].杭州:浙江大学出版社,2014:126.

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