济慈《致秋》中的审美观和人生观

Aesthetics and Worldview in Keats' To Autumn

济慈晚期的诗歌作品《致秋》在主客体关系、诗歌的写作风格和诗人的思想意识等方面 ,突出地表现了诗人将自我与客观外在世界 ,将想象力与自然、写实的诗歌风格相融合的审美观。作品同时也表现了诗人在朴素、自然的生命形式中所追求的人文精神。这使得他的作品具备了超越唯美主义美学观的内在品格 ,并与现代主义美学相呼应。

In his later work To Autumn ,Keats expressed his aesthetic ideas of eradicating the identity of the poet by merging him into the natural world. He tried to realize the creative power of the poet's imagination in a natural and realistic style and retained the poetic spontaneity through an expression of the poet's inner feelings. These aesthetic concerns ultimately combined with his understanding of life, the world, as well as his love for his country, constituting his humanistic spirit. Thus, his poetic pursuit goes beyond aestheticism and becomes a forerunner of the 20th century poetics.