摘要
《西厢记》不仅充分实现了中国戏曲的美学理想 ,也充分地实现了传统欧洲戏剧情节艺术的美学理想。这个情节艺术的美学理想以亚理士多德的“整一性”原则和黑格尔的“戏剧体诗”定义为代表。在全部中国古典戏曲中 ,仅有《西厢记》达到了这样的艺术境界。而中国古典曲学界 ,仅对《西厢记》实现戏剧情节“整一性”的成就有所认识 ,对于她超越明清传奇情节的非戏剧性文本样式 ,实现了黑格尔“史诗的原则和抒情诗的原则经过调解 (互相转化 )的统一”的戏剧美学理想的艺术成就 。
Xi xiang ji did fulfil not only the aesthetic ideal of classic Chinese dramas , but also the aesthetic ideal of plot-arrangement art in the European traditional dramas The aesthetic ideal of plot-arrangement art was represented by Aristotle's principle of 'unity ' and Hegel's definition of ' dramatic poetry ' Among all the classic Chinese dramas , Xi xiang ji solely reached such a high artistic level , which was unseen by the scholars of the classic Chinese dramas
出处
《文学遗产》
CSSCI
北大核心
2002年第6期50-59,共10页
