摘要
20世纪90年代以来,以林白等为代表的'身体叙事'是中国文学女性性别意识由浑沌而彰显的必然结果.'身体叙事'集中从身体的层面,对男性话语封锁进行了突围,并采取了鲜明的女性立场与视角.林白小说与埃莱娜·西苏理论话语的暗合,不仅有力地证明了'身体叙事'的上述美学特征,亦显示出其在理论建构及文本实践中一些不可忽视的局限所在.
Body Narrative has been employed by many Chinese female writers, most notably Ms Lin Bai, ever since the 1990s. This is inherent in the development and sharpening of sexual awareness on part of the female writers. Breaking the blockage of male discourse, Body Narrative takes an obvious and fresh female stance and viewpoint. The coincidence between Lins novels and Hélène Cixouss theoretical discourse does not only prove emphatically the aesthetical features of Body Narrative, but also reveal some major flaws in their theoretical construction and textual practice.
出处
《中国比较文学》
CSSCI
2002年第1期56-68,共13页
Comparative Literature in China