风、马腿、模特及浑身是脸——再谈布莱松电影艺术观念

Wind,Horse-legs,Models and Faces All Over——On Robert Bresson's Artistic Concept of Movie

本文着重讨论布莱松对电影艺术诸元素及其相互关系的认识。布莱松十分重视观察和发现那些看似毫不相干的事物之间的关系,他甚至将存在与事物之间的“关系”上升到了生存的高度加以认识,认为如果人的本质是社会关系的总和,那么影片的本质就可以说是画面关系的总和。

The passage will mainly discuss how Bresson,who used to pay special attention to and find out the artistic elements of movie and how the elements were connected with each other,which Bresson even regarded as the grave crisis between death and life.His opinions are that if the nature of human being is considered as the sum total of the social relationship and the nature of movies can be considered as sum total of the concept of images.