摘要
The author tries to find a probable way to study the base of gener al character thinking of modern music through researching and discussing systema tically the writing characters of pluralism, personalization, style and so on, w ith paradigm transformation in thinking of tonality in modern music as an introd uctory remark.
The author tries to find a probable way to study the base of gener al character thinking of modern music through researching and discussing systema tically the writing characters of pluralism, personalization, style and so on, w ith paradigm transformation in thinking of tonality in modern music as an introd uctory remark.
出处
《乐府新声（沈阳音乐学院学报）》
2001年第4期10-16,共7页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
