摘要
本文旨在论述乔伊斯的《芬尼根的苏醒》中的后现代主义语言艺术，探讨他的“语言自治”和“词汇革命”对小说文本的影响，并揭示其本体论的创作观念。文章不仅详细地分析了小说中的双关语、拟声词、杜撰新词、混合词和转换引语等语言现象的艺术效果，而且还深入探讨了它们在特定语境中的作用。
This essay is intended to discuss Joyce's Postmodernist language art in Finnegans Wake, examine the influence of his “autonomy of language” and “revolution of the word” on the text, and demonstrate his ontological concept of writing. The essay not only analyses the artistic effect of puns, onomatopoeia, neologism, portmanteau and transforming citations, but also explores their functions in the particular context.
出处
《外国语》
CSSCI
北大核心
2001年第3期58-64,共7页
Journal of Foreign Languages
基金
教育部人文社会科学"跨世纪优秀人才培养计划"基金资助
