摘要
文章介绍了当代意大利作曲家、指挥家、音乐教育家贝里奥的音乐风格和创作技法。通过对其主要代表性作品的分析 ,阐述了贝里奥敢于继承和创新的创作个性 ,他不仅从现代文学作品中取材 ,而获得表现意象 ,而且从中提取音源的语音素材、寻找音乐结构的形式依据。贝里奥的作品涉猎各个主要的音乐形式 ,表现了战后各音乐新兴流派的主要风格技法。贝里奥的音乐创作使意大利音乐在保留原有特色的基础上向着现代音乐发展的朝流又迈进了一步 ,从而使他也成为西欧五六十年代先锋派音乐家中具有代表性的人物。文章对贝里奥创作的 13首”Senqenzas” (模进、序列 )中的作品Ⅰ、Ⅱ。
This article intruduces Luciano Berio's music style and creation technigue asacomposer,conductor,and Music educator.Through the analysis on his chief representative works,the article expounds Berio's individual character of inheritting and innovating.Berio not only obtains theme from modern art works to get expressing intention,but also acquires phonetical elements for his work and looked for the formal basis of the music structure.Berio's music works were expressed in all kinds of music forms,manifesting all the principle genres of after-war popular music.Berio's music creation has pushed the ltalian modern music to a new stage while keeping its traditional characteristics.By all these achievements,Berio became one of the leading figures among the pioneering musicians of west Europe in the 1950s and 1960s. The article expounds the Ⅰ,Ⅱ,Ⅲ of Berios's 13 pieces of Sengenzas. [
出处
《乐府新声(沈阳音乐学院学报)》
2001年第1期36-40,共5页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)