摘要
全真正韵在贯穿斋醮科仪的过程中 ,受斋醮标准格式强大约束力的制约 ,无论就具体的经韵形态 ,还是经韵之间的联接程序以及法器伴奏等等 。
s: Throughout the process of zhaijiao (worship and exorcise) ritual, restricted strongly by the ritual criterion, the Quanzhen zhengyun was in a strict stylized pattern. It showed in the specific Taoist sutra tone formation, or the conjunct procedure between the Taoist sutra and tone as well as the accompaniment by faqi (supernatural power articles, here refer to some instruments used by Taoists).
出处
《黄钟(武汉音乐学院学报)》
北大核心
2001年第2期13-17,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
全真正韵
全真道
道教音乐
斋醮科仪
程式
Quanzhen Zhengyun
Quanzhen Taoist
zhaijiao ritual
stylization
Taoist music