“戏转歌”现象评析

An Analysis on the Phenomenon of "Transformation from Aria to Song

2 0世纪中后期出现的戏曲演员转为歌唱演员的现象 ,是由于社会文化的热点由戏曲艺术到歌唱艺术的文化转移 ;“戏转歌”演员的成功源于戏曲艺术实践打下的坚实的声乐基本功 ,是传统声乐技法与现代声乐技法相结合的典型范例。“戏转歌”现象的启示是 :现代声乐应继承传统声乐艺术的精华 ,应努力使戏曲事业与歌唱事业取长补短 。

The later part of the 20th century saw the conversion of some Chinese traditional opera players into singers. Their emergence as singers was significant of a shift in social cultural focus from Chinese traditional opera to singing art. Those singers owe their success to the substantial skill acquired from the practice of Chinese opera. What can be gleaned from the success of these converted performers is that modern vocal music should keep the soul of the traditional vocal arts it has inherited. Vocalists from both Chinese traditional opera and vocal performance backgrounds ought to make great efforts to learn from each others' performance abilities, thereby offsetting weaknesses and enhancing strengths. This will lead to the co prosperity of both types of artists.