摘要
锺嗣成《录鬼簿》不能当作信史看,否则会被其中讹误造成戏曲史研究的混乱,但此书还是反映了元代曲家的现实状况,是应该肯定的。
Zhong Sicheng's book Lu Gui Bu cannot be regarded a s a true history, otherwise the errors among it would lay the studies of Chinese classical drama and its historical development in confusion. Nevertheless,we have to acknowledge that this book reflects the real state of the dramatists in the Yuan dynasty.
出处
《文学遗产》
CSSCI
北大核心
2001年第1期82-84,共3页