摘要
本文勾勒了中国现代悲剧以及悲剧观点的由外来“替代物”到“模仿物”到“标志物”的三段式历程,并具体地从作家、作品的分析入手,探讨了中国悲剧在转化、形成过程中的基本方法与主要特征,突出了基督教文化在中国悲剧走向现代化过程中的至关重要的作用。
This paper delineates three stages in the process of contemporary Chinese tragedy, namely, from “substitution” of foreign dramas to “imitation”, then to “symbol”. By means of a specific analysis of writers and writings, this paper inquires into the basic modes and main characteristics of contemporary Chinese tragedy in its formation and transformation, with an emphasis on the critical role that the Christian culture plays in the modernization of Chinese tragedy.
出处
《中国比较文学》
CSSCI
2001年第1期43-63,共21页
Comparative Literature in China