摘要
20世纪 2 0年代以李金发为代表的中国象征诗派 ,多数成员留学法、日 ,在民族危亡与民族歧视的双重压力下 ,他们歌唱人生的悲苦与孤寂、丑恶世界的病态美、爱情的眷恋与伤痛 ,成为一种“浊世的哀音” ;在艺术形式上 ,他们操作以象征为主的表现手法 ,尝试“音画”效果的“纯诗”实验 ,运用奇喻造成语言的陌生化和情绪的暗示审美效应 ,开创了中国现代主义诗风。象征派诗这种毁誉参半的价值取向 ,值得我们认真反思和总结。
Under the double pressure of the nation's perilous existence and discrimination, the school of Chinese symbolcal poetry, with the poet Li Jinfa as its representive in 1920s, sang out the grief and loneliness of life, the morbid beauty of the chaotic world, their sentimental attachment and mental sufferings of love. Their poetry became 'a mournful song of the chaotic world'. In the artistic form, they tried the experimentation of 'the pure poetry' with the effect of music and drawings, employed queer metaphors to create an unfamiliarization in language and an aesthetic effect of emotional hints, thus opened up a new poetic style of Chinese modernism. The value orientation of the Chinese modernism. The value orientation of the Chinese Symbolical Poetry, which has a mixed reception, is worth deep thinking and commenting.
出处
《广东教育学院学报》
2000年第4期1-7,共7页
Journal of Guangdong Education Institute
关键词
象征派
丑恶
纯诗
眷恋
悲苦
象征诗派
李金发
价值取向
学法
留学
the symbolical poetry
morbid beauty
symbol
hint
the experimentation of the pure poetry
queer metaphor
unfamiliarization