摘要
30年代的中国现代诗派 ,以追求情绪的朦胧美为其创作的艺术支点。一方面借鉴西方现代主义创作手法 ,注重隐喻、意象、象征、暗示 ;另一方面又深受中国古典诗歌艺术的熏陶和影响 ,追求意趣、韵味、淡远、蕴藉等 ,从而形成了一种中国化的“现代情绪”。
Chinese modernist poetry school in 1930's pursued the hazy beauty in mood as their creative art fulcrum. On one hand,they used western modernist technique of expression for reference. They emphasized metaphors,images,symbols and suggestions. On the other nand,they were profoundly influenced by the Chinese classical art of poetry. They sought for significant interests,lingering charm,elegance and implications so as to form a Chineses “modern mood”.
出处
《广东教育学院学报》
2000年第4期23-26,共4页
Journal of Guangdong Education Institute