摘要
本文简要回顾玉琮名称的渊源,主要探讨了《古玉图考》中有关玉琮的定名,指出良渚文化玉琮的名和形的确定以《古玉图考》为源。在评述各主要观点的基础上,探讨良渚文化玉琮的渊源,提出了宏观上的“一元说”和微观上的“多元说”。
This article briefly retrospects the origin of name of Jade Cong and mainly discusses the nomination of Jade Cong in the Textual Critics on Pictures of Ancient Jades. By this, it points out that the name and form of Jade Cong in Liangzhu culture are based on this. On the basis of the criticism on some important viewpoints, it also discusses the source of Jade Cong of Liangzhu culture and brings about monism in microscope and pluralism in macroscope.
出处
《东南文化》
2001年第11期60-64,共5页
Southeast Culture
关键词
良渚文化
玉琮
Liangzhu culture jade cong
