试论香港动作片的动作表现原则

On the Principles of Action Films in Hong Kong

本文在一定程度上沿用了对“东方暴力美学”的“通俗化唯美主义”的理解,并在此基础上,引申为中国电影(以香港动作片为主体)中暴力场面“看上去很美”背后的影像故事构成、视听语言风格、文化价值取向和心理认同等种种特征的总括性表述,并试图找到和西方电影(以美国好莱坞动作片为主体)大异其趣之处。

To a certain extend,the passage can be termed as″the Oriental Violence Aesthetics″as well as″the Popular Aesthetics″which leads to the summarized statement how to show the variety of features of image stories,the audio-visual language,the orientation of cultural val-ue and the psychological confirmation as well,in which there are something looking very nice in China movies especially ones in Hong Kong.The author tries to find out the great difference between the western movies(especially the action films in Hollywood)and the oriental ones.