摘要
百年中国电影的历史,真正把目光落在民间的土地上、以平民之态写平民之事的电影并不多,到了90年代,影像的缺失是令人非常焦灼的现象。从《马路天使》到《黄土地》到《本命年》到《找乐》到《巫山云雨》,是本文勾勒出中国电影的写实之路,在这些写实电影中,我们看到了普通人的生存空间及生存境遇,从而感受到一种独特的电影美学:用对普通人日常生活体验的展示来代替典型化、寓言化和传奇化,用开放性替代了封闭性叙事,用偶然性稀释传统的戏剧性架构。
There have been quite few films that keep their eyes upon what the ordinary people feel and think in their daily life,the lack in which has made some people worried and anx-ious.I have drawn the realistic pictures concerning with China films such as Street Angel、Yellow Earth、Black Snow、In Expectation and so on,through which we can see the ordinary people's suffer and endurance and makes us enjoy a particular kind of aesthetics:the typicality,the allegory and the legend can be replaced by experiencing the ordinary peo-ple's life,and the closing has replaced the openness and the dramatic structure can be given a explanation with contingency.
出处
《北京电影学院学报》
CSSCI
北大核心
2001年第4期51-58,共8页
Journal of Beijing Film Academy