摘要
南阳是中国较早发现汉代墓葬画像艺术的地区之一。其藏量大 ,内容丰富 ,风格独特 ,且具有明确的分期和较完善的体系。文章通过对其中音乐艺术形象的梳理与研究 ,对音乐文化在汉代社会文化生活中所处地位 。
Nanyang is one of areas to found out earlier the portray in tumulus in Han Dynasty in China. They were plenty and abundance contest with individual style, all of them were clearly by stages and quite perfect system. Based on research the musical art portray of them, the paper textual research the role of music in Han Dynasty social and cultural life as well as the basic music form in that time.
出处
《黄钟（武汉音乐学院学报）》
北大核心
2001年第4期29-34,41,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
南阳
汉墓砖(石)画
音乐艺术
表现形式
形象特征
Nanyang area (in He'nan Province)
tumulus in Han Dynasty
brick-painting
stone-painting
music art
performance way
imagination characteristic
