论贝多芬《“热情”奏鸣曲》演奏中的音色联想

On Tone-color Imagination at Playing Beethoven's Appassionata Sonata

文章把贝多芬《“热情”奏鸣曲》第一乐章呈示部主部主题乐队构思的分析作为切入点 ,得出三个具有覆盖特点的“矛盾循环圈”及其等式 ,并以此为基础 ,阐述了演奏中音色联想在整首作品中的发展方式和过程 。

Taken the first movement of Beethoven's Appassionata as an example, the article analyze the orchestra-design of the main subject in the first part from the exposition, the writer got three contrary-cycles with the features of overlay, and based on the this point, the paper discussed the imagination of tone-color during the performance, illustrate the significance imagination in representing the music.