田汉的“夜”情结——试析田汉20年代戏剧创作中的“夜”意象及其成因

Tian Han's complex of "night"--A tentative discussion on image and contributing factor of Tian Ha n's dramatic creation in the twenties

田汉在戏剧创作早期 ,常把“夜”意象引入到戏剧舞台中来 ,它一方面直接指向舞台上的夜时空 ,为剧情渲染出一种诡谲的境界 ;另一方面含蓄意指为作家的心理积淀 ,在创作中显示出鲜明的创作风格。同时 ,“夜”意象也将田汉的宗教思想倾向与中国早期话剧特定发展阶段的布景艺术的表现力紧密地联系在一起 ,并使他这一时期的话剧呈现出诗意的新浪漫主义的倾向。 192 9年后 ,田汉戏剧中“夜”意象的锐减 ,标志他的创作风格从诗意的浪漫主义转向革命的浪漫主义。

In his early period of dramatic creation Tian Han of te n drew 'night' in the stage,on one hand it directly pointed to the time and sp ace of night on the stage in order to exaggerate a cunning state;on the other ha nd it implicitly signified the author's psychological sidment,and the distinctiv e style appeared in his creation,too.At the same time,'night'image tightly con nected the inclination of Tian Han's religious conception with the artistic expr essive power of art of setting of the early specific developmental step in China ,so that the poetic neo-romantic inclination emerged in his drams of this period .After 1929 'night'image in Tian Han's dramas reduced sharply,it marked his tr ansisction of artistic style from poetic Romanism to revolutionary Romanism.