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宫体诗与南朝乐府 被引量:7

Poems of Court Style and the Yuefu(乐府) of the Southern Dynasties
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摘要 自东晋以来,文士逐渐接受南朝乐府,至梁时大量拟作;与此同时,南朝文士也逐渐建立起自己的"侧艳之词"的传统;文士宫体诗与南朝乐府除入乐与否、比兴与否、长短与否外,还有一些不同:一为追求纪实与虚拟的不同,二为男性口吻与女性口吻的不同,三为故作矜持与热烈奔放的不同,四为全面描摹与细节刻划的不同;至陈、隋时,宫体诗与南朝乐府相融和,这就是自创流行曲与自创辞的结合来吟咏女色。 Since the beginning of the Eastern Jin dynasty, literarymen had by and by accepted the Yuefu of the Southern Dynasties, and widely imitated this style of poetic creation; at the same time, literarymen of the Southern Dynasties had gradually built up their own tradition of 'euphemism and ornateness';there were some differences between the l iterarymen's poems of court style and the Yuefu of the Southern Dynasties: the former tried to relate all-sidedly the realities with a male, reserved manner, white the later assumed a fic tious, female, deliberate and enthusiastic manner, besides the differences in whether being set to music and other sound's characteristics; up to the dynasties of Chen and Sui, poems of court style were merged into the Yuefu of the Southern Dynasties, that brought into being the independent erotic poetry.
作者 胡大雷
出处 《文学遗产》 CSSCI 北大核心 2001年第6期27-38,共12页
关键词 乐府 宫体诗 南朝 文士 拟作 比兴 矜持 东晋 纪实 追求 poems of court style, the Yuefu of the Southern Dynastie s, melodies, erotic poetry
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