唐宋词学的自觉与乐府传统的新变

The Consciousness of Ci-poetics in the Tang and Song Dynasties and the Newly-transformed Tradition of Yuefu

本文旨在以二元论的阐释方法来辨析唐宋词学中的一些关键问题，期望因此而使那些长期以来被遮蔽的现象得到应有的关注：词体的自尊所引发的乐府正名，使乐府传统的增殖性历史新变化得以被人们所确认，而词家进入乐府传统的意志以及所引发的讨论，也因此而脉络分明；文人词受复古崇雅意识的影响，不仅使南朝清音借新词兴起而绵延，而且使词境创造在面对乐府传奇之诱惑的形势下，依然偏取于追求诗意化的情景之美。

The text aims at explaining some critical problems in the Ci-poetics of the Tang SongDynasties by way of a kind of dualistic hermeneutics: such as the identification of Yuefu resultedfrom the self-respect of the Ci-poetic style, which made the tradition of Yuefu increasingly and historically change, and this renewal has been assured by us, and the will of Ci-poets enteringinto the tradition of Yuefu, as well as the discussion aroused by this, was hence made clear; the Ci-poetry of literarymen, under the influence of cherishing the past and elegance, not only made the 'light sound'(清音) of the Southern Dynasties prolong due to the rise of new Ci-poetry, but also beautified the Ci-poetic aesthetic state in the confrontation of the enchantment rendered by legendary Yuefu.