楚、汉漆器中的动物纹样之辨异

Differentiation and Analyzing on the Animal Pattern on the Lacquer Wares of Chu and Han Dynasties

战国时期的楚漆器在中国古代漆艺发展史上占有重要的地位。南方楚文化的那种“尚系在山泽原野中与天地的大气流衍及自然界奇禽异兽的生命相接触，且对之有神魔感觉时的意图”，使“人们从深心里感觉万物有神魔的生命与力量，从而描绘出琦玮诡谲，呈现异样生气魔力”的漆器纹样。

Lacquer ware of Chu occupied an vital role in the development history of Chinese ancient lacquer technique with bizarre patternflavored with special vigor.While that of Han Dynasty represented another peak of Chinese ancient lacquer technique, which hasmostly inherited the characters of Chu with sereneness and vividness.They still have many differences due to the span of timethough they have the obvious relation.Such kind of difference are displayed on the animal patterns on lacquer wares.