摘要
The high-necked and stout-legged tripot Li (高领袋足鬲 ), a type of pottery vessels that is widely found at the proto-Zhou cemeteries and settlement sites in Guanzhong (关中 ),or the Wei River Valley, has been taken as a focus of intellectual attention in the previous search of proto-Zhou Culture. Some scholars claim that the culture it represents is the very Proto-Zhou Culture,while others attribute it to the culture of Qiangrong羌戎,a western neighbour of the Proto-Zhou people. This disagreement has a root in the misunderstanding of the chronology and sources of the tripod Li. That is the problem this essay intends to handle. Under the aid of the newly reported excavations at the Nianzipo Site in Changwu county, the Yijiabu Site in Fufeng and the Zhumazui Site in Liquan, this essay offers a complete history of the tripod Li discovered in Guanzhong, which can be traced back to the Upper Eriigang Phase. On the contrary, the same tripod Li unearthed at the sites of the Siwa Culture firmly to be of Qiangrong, which were previously seen as the source or prototype of the Guanzhong finds, is quite late than the latter. Moreover, the tripod Li in both areas has a common ancestor in the Keshengzhuang Erqi (客省庄二期) Culture in Guanzhong. Thus the tripod Li of the Siwa Culture borrow instead from the prototype in Guanzhong area, which tends to support that the high-necked and stout-legged tripod Li belongs to the proto-Zhou Culture.
The high-necked and stout-legged tripot Li (高领袋足鬲 ), a type of pottery vessels that is widely found at the proto-Zhou cemeteries and settlement sites in Guanzhong (关中 ),or the Wei River Valley, has been taken as a focus of intellectual attention in the previous search of proto-Zhou Culture. Some scholars claim that the culture it represents is the very Proto-Zhou Culture,while others attribute it to the culture of Qiangrong羌戎,a western neighbour of the Proto-Zhou people. This disagreement has a root in the misunderstanding of the chronology and sources of the tripod Li. That is the problem this essay intends to handle. Under the aid of the newly reported excavations at the Nianzipo Site in Changwu county, the Yijiabu Site in Fufeng and the Zhumazui Site in Liquan, this essay offers a complete history of the tripod Li discovered in Guanzhong, which can be traced back to the Upper Eriigang Phase. On the contrary, the same tripod Li unearthed at the sites of the Siwa Culture firmly to be of Qiangrong, which were previously seen as the source or prototype of the Guanzhong finds, is quite late than the latter. Moreover, the tripod Li in both areas has a common ancestor in the Keshengzhuang Erqi (客省庄二期) Culture in Guanzhong. Thus the tripod Li of the Siwa Culture borrow instead from the prototype in Guanzhong area, which tends to support that the high-necked and stout-legged tripod Li belongs to the proto-Zhou Culture.
出处
《考古与文物》
CSSCI
北大核心
2001年第4期41-45,共5页
Archaeology and Cultural Relics
