摘要
本文从写生与创作的关系这一概念引入正文、表露了作者“写生也是创作”的观点 ,并试以美术 史上写生演变之内在原因及其意义和古今中外一些流派代表画家对写生的态度。
The article begins with the relations between painting and creation,showing the view that 'painting is creation',trying to expound and prove it by taking the inner reasons of painting changes in the art history and some school representative painters′ attitudes,standpoints and achievemtnts.
出处
《温州师范学院学报》
2001年第5期57-60,共4页
Journal of Wenzhou Teachers College(Philosophy and Social Science Edition)
