郭沫若的“内在韵律论”简评

Theory of “Intrinsic Rhythm” in Poetry

诗的“内在韵律论”是救治早先“自然音节论”的偏颇的药方。康白情最先说到这个理论的意思。郭沫若则明确提出这个理论,认为内在韵律就是“情绪的自然消涨”,它与诗的外在韵律相对。郭沫若的“内在韵律论”的重要意义在于,它是自由诗形式存在的理论根据。但郭沫若的“内在韵律论”存在着局限,“内在韵律论”留下了值得深入探讨的问题。

Theory of “intrinsic rhythm” of poetry is the way to avoid disadvantage of theory of “natural rhythm and rhyme”.Kang Baiqing was the first to mention this theory,while Guo Moruo proposed it definitely,declaring that intrinsic rhythm,opposing to extraneous rhythm,is just rising and falling of feelings.The profound significance of theory of “intrinsic rhythm” is that this theory lays basis for the existence of free verse form.There are limitations in theory of “intrinsic rhythm” and questions about it remained to be studied.