摘要
20世纪中国诗歌是一个重新创造作者与读者的历史过程,它在迂回探寻的实践中,不断寻求和修改着自己的现代诗歌梦想。100年来,它大致经历了三个发展阶段:一、古典诗歌语言与体制的破坏阶段;二、现代诗歌形式和象征体系的建设阶段;三、美学分化和多元对话阶段。如今的诗歌,不再是新不新的问题,而是好不好的问题,是能否在已有实践的基础上,于分化、无序中找到规律,建构稳定而充满活力的象征体系和诗歌文类秩序的问题。
The article argues that the 20th century Chinese Poetry is a historical process of re-creating authors and readers. During the practice of circuitous research, the authors sought and modified their dreams of modern poetry. Within one hundred years, it roughly underwent three phases:the demolishing phase of the classic poetic language and constitutions;the constructiong phase of modern poetic forms and symbolic systems; the phase of the aesthetic differentiation and pluralistic dialogues. The present concern is not whether the poem is new or not,but whether it is good or not. It concerns, on the basis of practical achievements so far, whether it can find out rules and construct stable and vital symbolic systems and order of poetic genres from the differentiation and disorder status quo.
出处
《河南社会科学》
北大核心
2005年第1期31-34,共4页
Henan Social Sciences