摘要
受个体审美心理机制的制约 ,司汤达侧重剖析人物内心的隐秘 ,创作显内倾性 ;巴尔扎克着重揭示并鞭挞社会弊端 ,创作呈外倾性 ,两者从不同角度丰富并完善了批判现实主义创作。
Restricted by the individual aesthelic standard mechanism, Stendhal lays emphasis on analysing the inner world of the characters,whose creations display internal tendency. However Balgac reveals and castigates the social drawbacks in particular, whose creations display external tendency.Both of them enrich and perfect the creations of critical realism from various aspects.
出处
《延边大学学报(社会科学版)》
2001年第1期67-69,共3页
Journal of Yanbian University:Social Science Edition
关键词
司汤达
巴尔扎克
内倾性
外倾性
创作风格
Stendhal
Balgac
internal tendency
external tendency
mode of writing