贵州苗族飞歌的旋律学研究

Study Melodics of the Miao's Flying Songs

苗族飞歌旋律中最具特色的是歌调句尾上的色彩音作相邻律之逐律移律替代。以色彩音 mi 为轴,逐律上行移至调头音呈上句之尾;以色彩音 mi 为轴,逐律下行移至功能音呈下句之尾;真实地再现了苗族人民居住地的山地环境。苗族飞歌中的相邻律移律替代,还为中国音乐体系之基本理论增添了产生个性、风格特征这一新的内涵。

One of the most pmmminent features of the melody of the Miao people' s flying songs is that the col- oring sound in the ending of a line has a progressive transpositional Subsititution under the governing of adjacent melody.Based on the axis of coloring Sound 'Mi',the sound progressively moves up to the initiative sound to man- ifest the ending of the previous line; then still,it progressively moves downward to the functional sound to manifest the ending of the next line.This kind of transpositional substitution does reflect the mountainous condition of the Miao people' s habitating area.At the same time this transpositional melody substitution enriched the basic theory of China's music syetem by adding to it some specific and stylistic characters.