摘要
本文运用现代的文学、美学理论和一些其他研究成果,对古文论中“兴”、“香草美人”两个范畴进行了新的阐释。探讨了“兴”的表情功能、情与景的契合问题以及“兴”作为意象的分类归属问题;探讨了“香草美人”作为一种象征手法与楚巫术文化的关系等。
This article adopts some contemporary literatural and aesthetical theories, and other academic results to give a new explanation of two categories, i. e. 'xing' and 'xiang-cao-mei-ren' , in the ancient Chinese literature theory. It explores the function of expressing emotion of ' xing', the agreement in feeling and setting, and classifiable problem of 'xing' as a image. It also studies the relationship between 'xiang-cao-mei-ren' as a symbol and the witchcraft culture of Chu Dynasty.
出处
《西南交通大学学报(社会科学版)》
2001年第4期66-71,共6页
Journal of Southwest Jiaotong University(Social Sciences)