摘要
郁达夫游记不是纯写景抒情的游记,它具有浓厚的文化色彩。作家以传神之笔,不仅对各地的山水名胜进行了准确生动的描写,还一如既往地在作品中保持着对历史文化、民间文化和佛教文化的浓厚兴趣。郁达夫笔下的景物已不是现实景物的原样翻版,而是渗透着作者的主体情感、审美情趣和文化修养。
The travel notes by Yu Dafu is not only about scenery and emotions, it has ample cultural characteristics.The writer not only described the beauty of mountains and rivers, but also showed great interest to historical, folk and Buddhism cultures. The scenery in Yu' writing is not just a photocopy, is deeply absorbed with subject emotions, aesthetics and cultural cultivation.
出处
《西北民族大学学报（哲学社会科学版）》
北大核心
2005年第1期125-129,共5页
Journal of Northwest Minzu University(Philosophy and Social Sciences)
