摘要
“象”是中国绘画最为重要的范畴之一。文章通过追溯中国传统绘画的发展轨迹,用大量文献剖析了“象”的哲学和文化理念,力求把握中国绘画的本质特征,指导艺术实践,借故开今。
Xiang' is one of the most important categories in Chinese paintings. This paper starts with tracing the history of traditional Chinese painting and analyzing a large amount of former literature, and the clarifies the philosophical and cultural connotation of the formation of 'Xiang'. On the basis of the analysis, this paper aims to understand the essence of Chinese painting and provide a guidance to the future artistic creation.
出处
《北京理工大学学报(社会科学版)》
2005年第1期12-14,共3页
Journal of Beijing Institute of Technology:Social Sciences Edition
关键词
象
传统绘画
文化理念
绘画境界
Xiang
traditional painting
cultural connotation
the moral state of painting.