杜甫与盛唐气象

Du Fu and the Style & Features of the Prosperous Tang's Poems

杜甫与盛唐气象的关系一直是学界论争的热点,这关系到对盛唐、盛唐气象以及唐诗分 期等一系列古典文学重要范畴和问题的重新认识。盛唐诗坛并非一成不变,盛唐气象在其间也有 种种变化。开元诗风昂扬乐观,天宝时转为雄浑悲壮,安史乱后则增加了悲凉的因素。但雄浑郁 勃、元气完足始终是盛唐气象的底蕴即个性所在,“笔力雄壮、气象浑厚”是盛唐诗歌的总体风貌特 征。杜甫的诗歌创作与盛唐诗坛的发展紧密结合,其诗风也相应有所变化,但杜甫始终是盛唐气象 的典型体现者和实践者。

The relationship between Du Fu and the style & features of the prosperous Tang's poems is a controversial focus of classical poems in academe. The discussion is related to the new understanding of the concepts of Du Fu' s poems, prosperous Tang, the style & features of the prosperous Tang's poems and the problem with Tang poems' stages. The prosperous Tang's poems were evolving. The style of Kai-yuan Parnassus was high-spirited and optimistic, then Tian-bao's style became majestic, solemn and stirring. And after An-shi chaos added more ingredients of sadness. This paper argues that Du Fu's poems were closely tied up with the prosperous Tang Parnassus and he was the embodiment of the age. His poems represented typically the style & features of “sturdiness and integrating ” of the prosperous Tang' poems.