摘要
"四王"在清初山水画坛占据主流地位,直接继承了明末董其昌衣钵。作为后二王之一的王原祁来讲,他不仅在艺术实践上具有较大成就,而且具有较高的理论修养。通过对其《雨窗漫笔》中的构图理论的分析,阐明他在继承董其昌、王时敏的基础上,对传统的重新认识。
The four painters surnamed Wang played major part in the landscape painting circle of the early Qing dynasty. They directly inherited the thought of Dong Qichang who lived in the late Ming dynasty. Wang Yuanqi, one of the four painters, not only made great achievement in the artistic practice, but also was theoretically accomplished. Through the analysis of the composition theory of his literary notes by the window on rainy days, this paper illustrates his new understanding of the tradition on the basis of inheritance of Dong Qichang and Wang Shimin.
出处
《新余高专学报》
2005年第1期16-18,共3页
Journal of XinYu College
关键词
王原祁
画学思想
构图理论
龙脉
开合起伏
Wang Yuanqi
Drawing thought
Composition theory
Contour
Painting technique