明代前期、中期的乐府诗创作与世风诗运

On the Relations between the Yuefu Songs in Ming Dynasty and the Social Environment

明代乐府诗的创作呈现不均衡状态:明洪武初一度繁荣,而永、宣时期则基本上是空白,成、弘后又进入繁荣时期。这种状况既与社会风气的迁移有关,也与文学观念的转变密切相连。明初乐府诗深刻反映了社会现实生活,具有鲜明的时代特征。明中期诗人的创作注重宣扬自我,显示了主体意识的觉醒;同时,李梦阳提出"真诗在民间"的主张,标志着文学观念的下移。

The writing of the Yuefu songs in Ming Dynasty can be divided into different periods. At the earlier stage the Yuefu songs boomed ,then there were almost no the Yuefu songs from Yongle to Xuande. But the Yuefu songs flourished again at the middle stage . This stage of the Yuefu-songs-writing had something to do not only with the changing of the public morals but also with the transforming of the literary concept. The Yuefu songs at the earlier stage reflected the social lives deeply. At the middle stage the poets wrote the Yuefu songs to exhibit their self-consciousness. And Li Meng-yang advocated that 'the real poems be in the folk' which marked the literary-concepts' changing towards folk