摘要
林版《赵氏孤儿》引起的非议 ,虽然受到前文性影响 ,包含着批评者很强的情绪性 ,但也不是空穴来风 ,而是有其自身存在的内在原因。首先是从情节的安排和处理上看 ,违背了艺术常规 ,赵氏孤儿不去复仇缺少剧情发展的内在逻辑基础。其次从母题的颠覆与变形上看 ,消解了仇恨 ,丧失了受众深厚的人性基础。第三是从传统思想的弱化与消解上看 ,弱化了道德观 ,消解了善恶是非观 ,消除了戏剧一向注重的道德评判与教化的功能 ,背离了中国戏剧的传统 ;第四是从艺术形态的探索与创新上看 ,以舞台的别具一格和表演的与众不同为重要表现的写实与写意相结合的艺术形态 ,疏离了中华民族的欣赏习惯 ,打乱了人们固有的接受心理 ,破坏了固有的欣赏秩序与逻辑。正是这样 ,它一边受到肯定 ,同时也招致了各种难免的非议。我们应该摆脱世俗观念的束缚 ,与时俱进 ,多理解 ,少指责 。
Although the reproaches on Lin's 'Zhao's Orphan' is influenced by former articles and is full of individual feelings of critics, there is the inherent cause of its own. First, the development of its plot violates art rule. Second, its the me loses human basis. Third, it weakens moral code and goes against Chinese theatrical tradition. Fourth, its artistic form and performance deviates from appreciating habit and disturbs people's acceptance psychology. This paper argues that we should get rid of old concepts, renew our mode of thinking and give art a free developing space.
