摘要
卞之琳的诗歌中广泛应用了小说化手法已经成为研究者的共识,但是,由于“小说化”与“戏剧化”、“非个人化”以及诗歌“大众化”概念之间的交织纠缠,使得“小说化”手法的内涵却并不清晰。考察“小说化”手法这一概念的来源和发展,辨析它与相关概念之间的关系,以呈现卞之琳诗歌中“小说化”手法的清晰内涵。
It is generally agreed among the researchers that Bian Zhilin made use of the technique of novel in his poetry.However,the ambiguity between the conceptions of “novelization”,“dramatization”,“impersonalization”and the“popularization”of poetry blurs the connotation of the technique of“novelization”.This paper investigates the origin and development of the conception“novelization”,and differentiates the relationships between this conception and the related conceptions so as to present clearly the connotation of the technique of“novelization”employed by Bian Zhilin in his poetry.
出处
《涪陵师范学院学报》
2005年第2期21-24,共4页
JOurnal of Fuling Teachers College