《活着》与《人的命运》苦难意识比较

Comparing the Tribulation Consciousness in Alive and The Fate of Human

余华的《活着》(1992年)与肖洛霍夫的《人的命运》(1956年)都非常关注人的生命存在,但他们对苦难意识的挖掘深度不同。余华和肖洛霍夫的文化背景和生活经历影响他们对生命存在的不同理解和认识,导致艺术创作的审美差异,使《活着》止步于对苦难状态的描绘,而《人的命运》提出了更深刻的人生哲理:以生命强力抗议苦难,获得了永恒的生命力。

Both Alive by YU Hua(1992) and The Fate of Human by Sholokhov(1956) show great concern about the existence of human life. However, their degrees of the concern about tribulation consciousness are different. The writers' different cultural backgrounds and life experiences influenced their understandings of the existence of life, which led to their differences in aesthetics, with Alive confined to describing the state of tribulation and The Fate of Human putting forward deeper philosophy of life—the power of life resisting tribulation and acquiring eternal vitality.