摘要
西洋技法的介入对清代宫廷绘画的影响是十分明显的,体现在多种形式的艺术作品中,其中用以装饰宫室的贴落因为融入了西方透视画的因素而形成了视觉效果独特的通景线法画。本文力图通过追述透视画法在欧洲的传统以及流传至中国的背景,进而整理出清宫通景线法画出现及发展的脉络,并进一步探讨通景线法画所具有的审美价值和历史意义。
The impact of Western painting on Qing dynasty palace painting is obvious and it can be seen in many forms of painting. The use of painted panels (tieluo) to decorate buildings of the palace resulted in elements of Western perspective in painting being included in palace painting for the visual effects. Against the background of a discussion of perspective within the Western tradition of painting and its spread to China, the author examines the appearance and development of the use of the technique of “perspective” in Qing palace painting and discusses their aesthetic value and historical signi?cance.
出处
《故宫博物院院刊》
北大核心
2005年第1期41-52,157,共13页
Palace Museum Journal
关键词
清代
宫廷绘画
通景线法画
透视画
西方绘画
传教士
tongjinghua
xianfahua
tongjing-xianfahua
tieluo
perspective
missionary painters.