梅洛-庞蒂哲学中的诗意之思或非哲学倾向

Thought of Poesy or the Tendency of Non-philosophy in the Philosophy of Merleau-Ponty

梅洛-庞蒂哲学源于胡塞尔哲学理想的创造性修正。面对哲学在人与人之间、人与自然之间的双重危机冲击的状况,梅洛-庞蒂按照海德格尔的思路把现象学引向诗意之思,从而引发了哲学与非哲学、哲学与艺术的密切关系。这种艺术性的指向在早期思想中只有辅助性的价值,而在后期存在论建构中则是不可或缺的。最终说来,这种指向导致梅洛-庞蒂哲学成为一种感性的哲学,一种感性的诗学。

The philosophy of Merleau-Ponty originates from the productive revise to the philosophical idea of Husserl. Under the condition that philosophy be faced with the double crisis of human to human and human to nature, Merleau-Ponty guides the phenomenalism to the thought of poesy according to the trace of Heidegger, thus initiates the close relationship of philosophy with non-philosophy, and philosophy with arts. This artistic guidance only has auxiliary value in his early thoughts, but becomes indispensable in the later existentialist construction. Totally speaking, this tendency makes the philosophy of Merleau-Ponty to be a kind of perceptual philosophy and poetics.