摘要
时于旋律的研究,历来成为音乐理论重视的一个课题。很多理论家付出了艰辛的劳动,并取得了丰硕的成果。但是由于种种原因,这些成果都没有得到及时的展现,甚至遗憾的是一些作者生前都没有看到自己成果的发表本文仅想对韶光琛先生1982年以前把旋律学研究的重要成果“旋法——关于汉族和维吾尔族民间旋律中的音组合结构”介绍给大家。使邵先生的成果在我们今后的音乐学理论和作曲技术理论科研与教学中起到指导实践的作用。
The research of melody has been a serious task. Many theorists work very hard and scored great success. Owing to all kinds of reasons, those success wasn't shown in time and even pitifully some authors didn't see their works published when they were alive. This article only intends to introduce the research of Mr ShaoGuang chen, 'Mode of Melody--The Structure of Sound Constitution in Folk Melody of Han and Uygur Minority' to the public and makes Mr. Shao's research play a directive part in the scientific research and teaching theory of musicology and technology of composing.
出处
《新疆艺术学院学报》
2005年第1期8-10,共3页
Journal of Xinjiang Arts University