重读《寄语中国艺术人》

Rereading Words to Chinese Artists

林同济《寄语中国艺术人》提出的“恐怖·狂欢·虔恪”长期遭到非议,其实,“恐怖”是直面生命的本质悲剧,“狂欢”是最高度生命力的追求,“虔恪”是对生命意义的终极关怀,三母题的实质是以尚力思想改变中国传统文学、文化的柔弱平和,为民族救亡和文化重建服务。

Horror, carnival and regiosity' brought forward in Words to Chinese Artists by LIN Tong-ji have long been reproached. In fact,“terror' is the confrontation of tragedy;“carnival' is the utmost pursuit of vitality; and “regiosity' is the ultimate solicitude of life meaning. The essence of the three concepts is to change the weakness and quietness of traditional Chinese literature and culture, and help to save the nation from extinction and reconstruct the culture.