摘要
“革命 +恋爱”作为革命文学中出现的一种小说模式 ,它的出现首先是继承并改造了 2 0年代初期欲望与理性悖论调适的理路———“个人的即社会的”。继承主要是对革命与恋爱一致性的认同 ,改造主要是革命 (阶级革命 )获得了包容、决定恋爱的优先性。革命与恋爱的关系经历了从“为恋爱而革命”到“为了革命牺牲恋爱”的变化 ,最终在艰难的调适中走向了革命禁欲主义。丁玲的转变 ,颇为典型地代表了当时左翼作家自我改造与自觉选择的方向。
The modulation of paradox of desire and reason is the representation of the immanent antinomy of the modernity. The formula of 'revolution plus love' in the modern literature inherited and rebuilt the logic of the modulation of paradox of desire and reason in the early 1920s,which means the individual is social. The inherit means the coherence between revolution and love, and the rebuilding means the revolution deciding love. Ding-ling was a commissary of the authors turning to revolutionary asceticism.
出处
《福建师范大学学报(哲学社会科学版)》
北大核心
2005年第2期27-32,47,共7页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
欲望
理性
革命文学
禁欲主义
丁玲
desire
reason
revolutionary literature
asceticism
Ding-ling