语言成为文学第一要素的三大条件

Three Major Preconditions for Language to Be the First of Literature

语言不是一开始就作为文学的第一要素的,在古希腊亚里士多德的心目中语言在文学这个人类精神家园里,它只是处于"老四"的位置,这是亚里士多德"把文学看成是自然与社会人生的摹仿"的摹仿说观念使然的。到了20世纪30年代,高尔基提高了语言的地位,称之为第一要素,在文学这个人类的精神家园里处于"老大"的位置,它暗含了20世纪初以来出现的现代文学语言观,即文学语言本体说,也就是把语言看成文学的本体,文学就是语言的建构,语言是文学存在的家园。与科学和日常生活不同,语言之所以能
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<Abstrcat>Language is not only initially considered to be the first factor of literature. In the eyes of ancient Creek philosopher Aristotle, language ranks the fourth in the field of literature of mankind's spiritual homeland, which is formed by the imitation theory of taking literature as the imitation of natural and social life advocated by Aristotle. In the 30s of the 20th century, Gorky raised language status and put it in the first place, which implied modern literary language concept emerging from the beginning of the 20th century commonly known as literary language ontology. The theory focuses on taking language as noumenon of literature, taking literature as language constructivism and putting language as the base of literary existence. Language is neither science nor daily life. There are basically three major preconditions for it to become the first factor of literature, which can be referred to as speech modes. Language contains such factors as diversity, polysemy and aesthetics.