论宫体诗的回归

The Returning of the Poems of Court Style

关于张若虚的《春江花月夜》,闻一多在《宫体诗的自赎》一文中说它“向前替宫体诗赎清了百年的罪”,是宫体诗的顶峰;程千帆在《张若虚<春江花月夜>的被理解与被误解》一文中对闻一多将其作为宫体诗这一问题进行了辨证,认为它根本就不是宫体诗。尽管二人对这首诗是否为宫体有不同的意见,他们的理由其实是一致的,即此诗本身所具有的真情,而真情正是宫体诗转变的一个关键,闻、程二位先生在这一点上对宫体诗的认识可谓殊途而同归。

On the theme of the poem “ A Night of Flowers and Moonlight by the Spring River” by Zhang Ruoxu, Wen Yiduo said:“ It has expiated the crimes of the poems in court style for hundreds of years,and it is the best poem in court style” in his article “ Self- redeeming of Poems in Court Style” .Cheng Qianfan, in contrast, put forward his opinion that the poem was not one in court style, in his article “ The Understanding and Misunderstanding of Zhang Ruoxu's Poem- A Night of Flowers and Moonlight by the Spring River” . Although they have different opinions on the poem, they have the same reason for their opinions. That is ,the poem has true feelings, which are the key factor indicating the change of poems of court style. So, on the knowledge of poems of court style, Mr. Wen and Mr. Cheng led to the same goal from different roads.