为什么要关注架上艺术

Why Jiashang Art (Easel Art) Is Concerned?

一部分是绘画、版画、摄影、书法、雕塑等原来已经习惯称为艺术的东西 ,另一部分是装置、概念、地景、行为、新媒体等美术界一般还不习惯称为艺术而又不能不称为艺术的东西 ,两大部类无以名之 ,情急之下便有了架上架下 ,架上非架上之谓自上世纪 70年代以后 ,非架上艺术在欧美艺术界渐成主流 ,我国有的理论家据此认为架上艺术已经过时、已经不再具有意义。我不赞成这种看法。事实上 ,在非架上艺术不断发展的同时 ,西方的架上艺术也在不断发展 ,出现了亨利·摩尔 (HenryMoor)、考德尔 (AlexanderCalder)等一批重要的雕塑家 ,德·库宁 (WillemDeKooning)、弗洛伊德 (lucianfreud)

Painting, wood engraving, photography, calligraphy and sculpture are what used to be called art. Installation, conception, land art, demeanor and new media are what the art community are not accustomed to call art but have to. Neither then had their names. And in a hurry, the terms Jiashang Art(on easel) and Jiaxia Art(off easel), Jiashang Art(easel) and Non jianshang Art(non easel) occurred. After the 1980s, non easel art became an essential aspect gradually. Some of the theoreticians in China thought that easel art was out of date and not significant. I do not agree. As a matter of fact, while non easel art were developing, the Western easel art developed ceaselessly. Some important sculptors as Henry Moor and Alexander Calder and painters as Willem De Kooning and lucian freud appeared.