摘要
电影作为一种较为通俗的艺术 ,已经融入了大量的传统文学艺术的形式。优秀影片《悲情城市》的外部形式 ,凸显了传统文化对电影艺术的影响。把通常的民族化的提法予以细化分析 ,使传统文化的“俗”与“雅”的区分落实到电影形式的分析中 ,以倡导中国电影走民族化的道路。
As one kind of comparatively popular arts, film has greatly melted into the form of traditional arts and literature. The external form of the outstanding film City of Sadness demonstrates the influence of traditional culture on the art of film. From the angle of the thesis itself, the usual formulation of nationalization is carefully analyzed. The difference between the refinement and popularity of traditional culture will be practiced in the analysis of the forms of many Chinese films. With this, I advocate Chinese film will take the road towards nationality.
出处
《贵州大学学报(艺术版)》
2002年第3期61-67,90,共8页
Journal of Guizhou University Art Edition
关键词
《悲情城市》
传统文化
外部形式
民族化
City of Sadness
traditional culture
external form
nationality