摘要
改革开放后 ,中国油画的环境和中国油画自身都发生了深刻变化 ,中国油画进入了新的发展阶段 ,但也出现了不少问题。它们是“架上”与“非架上”的争夺 ,中国油画面临的挑战 ,中国油画是走世界“一体化”道路 ,还是走适合自己发展的道路 ;一部分人盲目迷信西方的某些艺评家和策划人 ,国内的某些传媒和批评家欠缺敬业精神。中国油画应该在吸取西方文化中积极因素的同时走一条适合自己发展的道路 ,艺术家要保持一个良好的心态 ,看清自己的位置 ,不要充当假“前卫” ,国内的某些传媒和艺评家也要有专业水平 ,不要放弃或降低艺术标准。
After the reform and opening to the world, the environment and the Chinese Oil Painting have changed deeply. It gets into a brand-new stage of development. But many questions appear: The contest between Jia Shang and Fei Fia Shang, the challenges that Chinese oil painting is faced with, which way to take, the incorporate road or its own road of development. A few people believe blindly in some Western art critics and designers. Some media and critics lack in responsibility. Chinese oil painting should absorb positive factors from Western culture. At the same time it should take its own road. An artist should keep a good state of mind and discern his position, not to pretend to be a false advance guard. The inland media and critics should have certain professional level, and not abandon or lower the artistic standards.
出处
《贵州大学学报(艺术版)》
2002年第3期87-90,共4页
Journal of Guizhou University Art Edition
关键词
当代中国油画
架上
非架上
世界一体化
本土化
contemporary Chinese oil painting
jia shang
fei jia shang
world unity
indigenization